Pigment Study IV
Raw umber and bone chalk on heavy unprimed canvas, 80 by 65 centimeters. Focused exploration of dry mineral deposit and textural margin restraint.
Translucent Glaze II
Walnut oil and French ochre on panel, 70 by 55 centimeters. A quiet tonal inquiry built across forty delicate glazes over twelve months.
Field Study VII (2024)
Monumental oil and slate dust on raw linen, measuring 210 by 180 centimeters. Layered glazes create deep spatial resonance through austere mineral contrast.
Surfaces built through geologic time
Paintings unfold slowly without synthetic binders or quickening mediums. Natural minerals, cold-pressed walnut oil, and unbleached flax fibers ensure complete archival stability across generations of collection.
Acquisition conversations
Private acquisitions, institutional exhibition loans, and site commissions are arranged through direct, confidential dialogue with the studio archive.